GX offered me a job, so I'll officially be a geophysicist come september. You know how it is, us future comic geniuses need to take a day job until we hit the big time. Deluded, me?! Hurrah for my early mid-life crisis :)
My trip to the UK was good, even if it wasn't a trip I made for happy reasons. I saw a lot of friends and family. I also went to Camden and got infected with some wierd disease than made me want to buy clothes and shoes and have a cool haircut. I think I was being brainwashed by hare krishna monks too, I kept inadvertantly giving them money and thus not being able to afford to eat anything other than cadbury's caramels. I also played gay croquet- it was just like normal croquet only bitchier and more brightly coloured.
The writing is going well, it even survived a catastrophic computer faliure. Fate let me reboot the computer one last time and drag off all the stuff I hadn't got around to backing up before it dissolved into a series of epilaptic-goading disco colours.
Sorry about the spelling today, I'm extra dislexic with a side order of dumb pie for some reason. I'll put it down to the wierd dreams I had.
I've been listening to a lot of radio comedy and trying to pull it apart and figure out why it works or doesn't. I was laughing my arse off at The Likely Lads and Dad's Army, but there is a lot of stuff I heard that I'd like to avoid- like obvious set ups (Terry is slagging off Bob's inlaws to a random stranger, who of course turns out to be one of the inlaws) and 'I haven't felt this bad since...' type jokes. What both comedies have taught me is that the characterisation is key to making it work, the setting is secondary (which is a relief since I keep forgetting to make my stuff 'museumy'). Having decent characters who are different and have a unique voice is reactive, like putting baking soda in water. kind of.
I listened to some free stuff on channel4 radio too- the most important lesson I learned there is that repeatedly saying the word tw*t doesn't magically transform something unfunny into a work of genious. Comparing their sketches to something equally wierd yet wonderful, the Boosh, was a revelation. It doesn't matter how wierd something is, if it isn't grounded in plot, character exposition or a complex web of oddness, it just ain't gonna work. This is wot i learnt.